So You Can Dance Surprise Review This Week
We're Going to Talk Near 'Bruno,' Yes, Yep, Yes
"We Don't Talk About Bruno" from "Encanto" is a surprise chart topper and TikTok darling. Here's how Disney created its biggest smash since "Let It Go."
"A seven-foot frame! Rats along his back!" a curly-haired teenager draped in a cloak lip-syncs for the camera.
"I acquaintance him with the sound of falling sand," a busy mom nods appreciatively, bopping along with a vacuum every bit she embarks on a kitchen trip the light fantastic pause.
"I'thou lamentable, mi vida, proceed!" a pair of sisters screech, perilously off-key.
"Encanto" cautioned against talking about Bruno, but a whole lot of people are obsessed with a song about him.
Since that animated Disney moving-picture show opened in theaters in November and arrived on Disney+ on Christmas Eve, its playful song "We Don't Talk Virtually Bruno" has steadily grown into an international hit. Unlike most Disney breakouts, "Bruno" is not a wistful hero'south solo or a third-human activity ability carol. Information technology's a Broadway-manner ensemble rails that revels in gossip about a centre-age man.
Yet the song recently topped the Spotify, Apple Music and iTunes charts in the U.s., reached No. 1 on the global YouTube music videos chart and currently sits at No. v on the Billboard Hot 100 — the kickoff original song from a Disney animated moving picture to rank that loftier since the "Frozen" canticle "Permit It Go" in 2014. Other "Encanto" tracks, like "Surface Pressure" and "The Family Madrigal," are also rising. And this week, the flick's soundtrack bumped Adele'south "30" from the top spot on the Billboard 200.
"Bruno" has been bolstered by its popularity on TikTok, where tribute clips from the likes of that cloaked teenager, those screeching sisters and that bopping mom take racked upward millions of views.
"I could look at the TikToks all day," one of the "Encanto" directors, Jared Bush, said in an interview. "Everyone is finding a different entry point, whether it'due south a specific moment or grapheme dynamic. In that location's something in it for everybody and, honestly, it'southward just delicious."
In the flick about a Colombian teenager named Mirabel Madrigal (voiced by Stephanie Beatriz) and her supernaturally gifted family, Bruno (John Leguizamo) is a mysterious, outcast uncle whose ability to run into the future earns the abject scorn of all those receiving bad news. His family unit and the townspeople share their colorful, oftentimes bitter, anecdotes about his prophecies in the song.
Germaine Franco provided the "Encanto" score, while "Bruno" and the rest of the songs were written past Lin-Manuel Miranda, who had worked with Disney on the soundtrack of the 2016 film "Moana." The "Encanto" filmmakers said he had delivered the infectious "Bruno" virtually on command.
In spring 2020, the directors Bush-league and Byron Howard; the co-manager Charise Castro Smith; and Tom MacDougall, then caput of music at Walt Disney Animation Studios, hopped on ane of their weekly video chats with Miranda to brainstorm an ensemble track most Bruno that could provide a jolt of energy midfilm.
"Nosotros could see Lin thinking, and he looked at us and said, 'It feels similar a spooky ghost story, like a spooky montuno,'" Howard said, referring to a Cuban musical pattern. "And he turns to the piano and plays the first iii chords. We literally saw him put it together and etch in that very moment. I've never had that happen earlier." (Miranda was unavailable for an interview.)
The character of Bruno had already evolved during the picture show'southward creation. In an early iteration, he was much younger, someone Mirabel's age. He was also originally named Oscar, but Bush-league said a legal snag over the existence of a number of real-life Oscar Madrigals in Colombia, led them to explore other name options. He sent Miranda a list of five alternatives, to which the songwriter replied, "Definitely Bruno."
"I couldn't figure out why he was so definitive," Bush said, "until ii days afterward when we heard, 'Bruno, no, no, no.'"
Miranda then recorded a demo track in which he sang all 10 parts. "It was like Lin-Manuel on steroids," said Adassa, the singer-songwriter who voices Dolores, the Madrigal cousin with exceptional hearing. (That demo has not been released, though a popular Miranda impressionist has taken a stab at what information technology might sound like.)
With merely storyboard sketches and Miranda'due south audio to guide them, the pic's choreographer, Jamal Sims, and his squad spent nigh two weeks in a Los Angeles studio creating the "Bruno" trip the light fantastic toe moves for the animators to render digitally. Incorporating elements of cumbia, the Colombian national trip the light fantastic toe that features African, Indigenous and European influences, along with salsa and rumba, they mapped out every moment of the song and shot a reference video in one take every bit if part of a live musical. Fifty-fifty Bruno'southward rats perform intricate steps. (The animation team would later movie the dancers from different camera angles.)
"We had to build this all from our imagination," the assistant choreographer, Kai Martinez, said. "What helped brand this piece unique is that nosotros had a group of Latinx dancers from Colombia, from Republic of cuba, from Puerto Rico — people who understood the assignment." (Clips of their choreography shared by Martinez on TikTok accept amassed more than 23 million views.)
Martinez, who is a commencement-generation Colombian American, likewise served as an animation reference consultant and provided the filmmakers with crucial insights into cultural nuances and mannerisms.
"It was bigger than a job," she said. "Being a Colombian woman, this is the kind of film that I would take wanted to lookout when I was a kid."
Meanwhile, because of Covid precautions, the vocalism actors recorded their parts separately in studios across the United States and Colombia. Rhenzy Feliz sang the shapeshifting cousin Camilo's lines in a rented space near San Luis Obispo, Calif., and said he channeled "theater kid" free energy in his character's dramatic delivery. Adassa recorded in her home studio in Nashville.
"At kickoff my rap was going to be an octave higher," she said of her whispery confined. "I thought, she'south such an intimate speaker, I'grand going to exercise it an octave lower. And it worked."
Despite its huge popularity, "Bruno" won't get any Oscar beloved: The studio submitted but "Dos Oruguitas," an emotional Spanish carol performed by Sebastián Yatra, for awards consideration. That vocal, while not as ubiquitous equally "Bruno," made the academy'south all-time original song brusk listing concluding month. Should information technology go on to take the statuette, it would make history equally Disney'due south first non-English-language winner.
"'Dos Oruguitas' was so primal to the emotional theme of the pic," Howard said when asked if they had considered submitting "Bruno." He added, "It's probably the near critical fleck of musical storytelling in the whole motion picture considering it has to practise with the history of the family and Mirabel understanding her grandmother."
In fact, betting on "Bruno" would take been a bold strategic departure. You'd demand to look as far back as "Under the Sea" from "The Petty Mermaid" (1989) to observe a Disney Oscar winner with a similar theatrical quirkiness. Since and then, when the studio has wowed the university, it has been overwhelmingly for ballads, including "A Whole New Earth" ("Aladdin"), "Can Yous Feel the Dearest Tonight" ("The Lion Male monarch"), "Colors of the Wind" ("Pocahontas"), "Let It Go" ("Frozen") and "Recall Me" (Pixar's "Coco"), along with the occasional Randy Newman ditty.
Besides, multiple submissions could have risked the possibility of splitting votes, and Miranda lacks only an Oscar to achieve the rare career E.K.O.T. This wouldn't exist his first nomination: His "Moana" track, "How Far I'll Become," lost to "Metropolis of Stars" from "La La State." (In add-on to his work on "Encanto," he also directed "Tick, Tick … Boom!" and could potentially land a nomination for that film.)
Across awards season, the "Encanto" directors said they were open to the possibility of a sequel, stage show or spinoff series. "I would love for there to be continuing stories of these characters because they're real people to us," Bush-league said. "Ninety minutes is non enough fourth dimension to spend with the Madrigals."
And despite some fans' theories that "We Don't Talk About Bruno" — and the repeated reprimand "Silenzio, Bruno!" in the Pixar flick "Luca" — show Disney has an anti-Bruno agenda, the filmmakers insist information technology isn't and so.
"At the end of 'Encanto,' Bruno turns out to exist a great guy," Bush said. "So, you know, nosotros've resurrected that name. I think Bruno should be proud of that."
Source: https://www.nytimes.com/2022/01/13/movies/disney-encanto-talk-about-bruno.html
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